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interesting read on art language (IAE):
https://www.canopycanopycanopy.com/
contents/international_art_english

A comment on this essay by Hito Steyerl:
https://www.e-flux.com/journal/45/60100/international-disco-latin/

Language is not something that belong:
https://www.e-flux.com/journal/80/100018/more-than-one-language/

Slavoj Zizek:
https://www.e-flux.com/journal/32/68252/hegel-versus-heidegger/

Trans fem:
https://www.e-flux.com/journal/117/387257/our-own-words-fem-trans-past-future/
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Home Page
IAE has a distinctive lexicon: aporia, radically, space, proposition, biopolitical, tension, transversal, autonomy. An artist’s work inevitably interrogates, questions, encodes, transforms, subverts, imbricates, displaces—though often it doesn’t do these things so much as it serves to, functions to, or seems to (or might seem to) do these things. IAE rebukes English for its lack of nouns: Visual becomes visuality, global becomes globality, potential becomes potentiality, experience becomes … experiencability.
-ITY
-NONSPATIAL/SPATIAL SPACE
-PARA/PROTO/POST/
HYPER
Sculpturize
Void
Para
Proto
Post
Hyper
Space
Intersection
Parallelism
Involution
Platform
Ability
Experiencability
Visuality
Globality
Potentiality
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"A broader dimension of meaning"
https://www.e-flux.com/announcements/34535/sadane-afif/
Hypermeaningfulability
Reality
Real
Lost in the space of communication
The origin of IAE
https://www.jstor.org/journal/october
1976
an American tradition of formalist art criticism associated with Clement Greenberg collided with continental philosophy.
more rigorous interpretive criteria
FRENCH//GERMAN//ENGLISH
Rosalind Krauss
ion, -ity, -ality, and -ization VS -ness
French is probably also responsible for the prepositional and adverbial phrases that are so
common in IAE: simultaneously, while also, and, of course, always already.
Krauss and her colleagues aspired to a kind of analytic precision in their use of words, but at several degrees’ remove those same words are used like everyday language: anarchically, expressively. (The word dialectic has a precise, some would say scientific, meaning, but in IAE it is normally used for its affective connotation: It means good.)
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Whatever the content, the aim is to sound to the art world like someone worth listening to, by adopting an approximation of its elite language.
DOES IT?
where does the urge to use language more freely and less conventional come from?
Too direct
When Artspeak Masks Oppression - Mostafa Heddaya
Hito Steyerl & Martha Rosler